Biennale of Sydney

Biennale of Sydney opening & publication

Last December I joined the Biennale of Sydney team as their Publications Editor and it’s been a mad couple of months working to get the catalogue across the line in time for the opening week. I’ve absolutely loved being part of this small, incredibly dedicated team and seeing this 24th edition come into being.

White Bay Power Station is truly something to behold and is such an addition to the cultural landscape of Sydney. It’s going to be fascinating to watch it evolve as a site.

I’m looking forward to finding some time to step back and appreciate it all.


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MCA GENEXT Goes Online

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I can’t imagine that anybody’s 2020 is unfolding in quite the way they had imagined. At some point I hope to have the headspace for reflection and clarity and calls to action (assuming we ever get to a post-COVID world…) but the temporary shuttering of the MCA has meant the cancellation of all my scheduled programs this year, including GENEXT.

Over the last few months I’ve been supporting the MCA Youth Committee and Young Guides, experimenting with new forms of digital communication, art-making, activism, wellbeing and youth-led public programming, to re-imagine GENEXT for an online audience, taking inspiration from the 22nd Biennale of Sydney and this strange, exhausting, uncertain time we’re now living in.

On Sunday 31 May 2020 we launched GENEXT Goes Online, which included live-streamed performances and panel talks, all MC’d by the Youth Committee, as well as a (frankly phenomenal) collection of digital content including zines, quizzes, artist interviews and guided making activities, VR exhibition spotlight talks, an Auslan visual storytelling workshop, interactive creative prompts and a live dance class.

At some stage I will find the time to come back to this post and reflect more thoughtfully on what I’ve learned from this experience but for now, I’d just encourage you to take a digital wander through the program here.


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20th Biennale of Sydney: The future is here it's just not evenly distributed

The 20th Biennale of Sydney has just opened, under the Artistic Direction of Hayward Gallery curator Stephanie Rosenthal. The future is already here: it’s just not evenly distributed runs until 5 June at venues across Sydney including Carriageworks, the Art Gallery of New South Wales, the Museum of Contemporary Art, Artspace and Cockatoo Island.

I had the opportunity and privilege to contribute to the Biennale’s exhibition guide, writing about 14 international and Australian artists including Johanna Calle, Celine Condorelli, Yannick Dauby & Wan Shuen Tsai, Keg de Souza, Bharti Kher, Germaine Kruip, Bo Christian Larsson, Minouk Lim, Jumana Manna, Melik Ohanian, Bernardo Ortiz, Falke Pisano, Christoph Schlingensief and Alexis Teplin.

You can read my artist profiles here.


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